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"Yet another set of three "flirtatious dances"
by the fascinating Marcelo Coronel proved to be the most demanding
yet rewarding of the evening. In particular 'Gato' was passionate
and deep; played perfectly by the guitars matching up in pairs,
one set going note by note and the other providing lines in which
the melody traveled."
The
Cerritos Ink (+)
"Ever since somebody
held Orpheus' stringed lyre against a resonating board, ladies
and the rest of us have been seduced by men who play guitars .
. . So imagine the effect of four such masters of guitar eliciting
the dancing, romantic heart of South American music in the vaulted
sanctuary of Church of the Holy Cross on the afternoon of February
5."
The
Kingston Daily Freeman (+)
"From Heaven by way of Santa Fe"
"As guitarists, they are as good as you can get...they play
like Angels"
The
Washington Post (+)
"Each is a solo virtuoso on the guitar, but
together, they produce an ensemble sound that is superb in blend
and balance, rhythmically precise and, above all, musically wonderful."
Rapid
City Journal (+)
The Santa Fe Guitar Quartet proved to be a laid-back
group with a strongly lyrical approach to music... Some of these
haunting sounds lingered long in the memory.
Dallas
Morning News (+)
The SFGQ have found a new and attractive repertory
which they perform with devotion, authenticity and remarkable
precision.
SOUNDBOARD/Journal
for the Guitar Foundation of America (+)
Their musicianship is first rate...For those
who value laid-back competence, the evening proved to be a rewarding
success
St.
Louis Post-Dispatch (+)
Guastavino’s infectious Baile (Dance) is
one of those “oh yeah, I’ve heard this before but never
knew what it was” pieces, and is tremendously enjoyable as
such. In terms of engineering,
this might be the best sounding guitar CD I’ve ever encountered.
Fanfare
Magazine (+)
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